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We analyze the use of “imagistic lan-guage” and “propositional language” in Classical Chinese poems. It is commonly held that the lines in the middle of a poem tend to be imagistic, while those at the end tend to be propositional. Using features proposed by two literary scholars, Yu-kung Kao and Tsu-lin Mei, we report on the distribution of the imagistic and propositional styles in a tree-bank of...