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On 18 October 2006, I entered the Marlborough Gallery in New York for the official opening of Fernando Botero’s exhibition on Abu Grahib. I visited the exhibition with a friend of mine, the painter Valerio Adami, and with his wife Camilla, a painter as well. Valerio talked to me about the way Botero draws hands and animals, and later introduced me to him. In wandering around the Gallery, I then ran...
Social objects exist, the proof being the difference between thinking to promise something, and actually promising something: once you give your word, the promise keeps on existing, even in case you forget about it, or—as more frequently happens—you change your mind. The first aim of this article is to expand on the nature of social objects, as contrasted with physical and ideal objects, and to spell...
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