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Adorno’s and Marcuse’s verdict against the depiction of ›Glück‹ (meaning ›happiness‹ as much as ›luck‹) in literature as an act of ›affirmation‹ undoubtedly added to most of 20th Century German literature’s significant neglect of happiness, lucky characters and blessed fates as narrative subjects. One way, however, to speak of happiness whilst avoiding triviality’s pitfalls lies in the use of irony,...