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In L’Oeil et l’esprit, maurice merleau-ponty writes, “I would be at pains to say where the picture is that I am looking at. For I do not look at it in the way one looks at a thing, I do not focus on it in its place, my gaze errs in it as in the nimbus of being, I see by way of or with it rather than seeing it” (Merleau-Ponty 1964a: 23). The expressions, “to see by way of” or “to see with” mark the...
Maldiney elaborates a phenomenology of art within the horizon of themes opened up by edmund husserl and martin heidegger, while avoiding any sort of systematization. His texts concern painting and poetry.
After having considered of several relevant problems of the visual the paper gives an outline of the anthropology of the visual, which draws from M. Merlau-Ponty and H. Jonas. In its first part the subject-object model is replaced by the conception of intertwining (entre-appartenance) of the viewer and the viewed. Then the load of things is taken off the viewed by separating forms from the reality...
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