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The first study, which deal with works of the ‘other modernity’ of the French 19th century, deals with objects that, as multiply producible and stylistically eclectic objects, fell through the Modernist grid, although they correspond exactly to a definition of the avant-garde as formulated in the succession of Saint-Simon. The second study asks whether the iconography of “modern life”, in the sense...
„Sweat must freely flow“ and without the „blessing … from higher“ it is not possible anyway, but if both are given, the work praises the master. The poetic phrase from Schiller’s “Song of the Bell” could be made visible in the art of monuments and tombs. Works of art praise their creator in a monument, works of art mourn for their creator in a tomb. They belong to the staff of the accompanying figures...
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