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Cílem příspěvku je zhodnocení současného stavu v divadelně-vědném bádání o žánrech a jevech hudebního divadla. Na rozdíl od německé teatrologie jsou domácí pokusy vtáhnout tuto oblast do fokusu divadelní vědy stále sporadické. Jeden z důvodů přezíravosti české divadelní vědy vůči hudebnímu divadlu tkví v tradičním akcentu na mluvené divadlo, které je s příznačnou setrvačností považováno za samostatný...
16 January 1969 was an important day for Czechoslovakia: Jan Palach, a student at the Faculty of Arts, set himself on fire next to the statue of St. Wenceslas in Prague. The artistic scene reacted to the incident through several works. The performance of Arthur Honegger's stage oratorio Jeanne d'Arc au bûcher in Janáček Theatre in Brno was one of them. The article introduces political circumstances...
Studie se zabývá konceptem hudebního divadla, jenž je spjat s tvorbou významného německého operního režiséra Waltera Felsensteina (1901–1975). Východiskem se stala monumentální monografie Borise Kehrmanna Vom Expressionismus zum verordneten „Realistischen Musiktheater“. Walter Felsenstein – Eine dokumentarische Biographie 1901 bis 1951 (2015), podrobující zásadní revizi představu o Felsensteinovi...
The current paper is the first of the forthcoming studies dealing with the dramaturgy of and productions in Brno State Theatre in late 1950s and 1960s. The authors present the principal questions, study material, and methodology of their research, supported by a grant project, which has been launched only recently inquiring into the artwork of the generation of director Miloš Wasserbauer, and the...
The study demonstrates the way in which Czech theatre avant-garde influenced the development of interwar theatre in Moravia. Its author reflects the situation in Brno, Ostrava, and Olomouc. As for Brno, the confrontation of non-traditional poetics of the Prague avant-garde scenes like The Liberated Theatre and the theatres Dada and Modern Studio with the conservatism of official theatre stages is...
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