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Cyklus Noční chodci malíře a grafika Františka Hudečka (1909-1990) je tradičně interpretován jako sebeprojekce samotného tvůrce a současně programové dílo z okruhu formující se Skupiny 42, propojující vybrané impulsy surrealismu a existencialismu. Studie se zabývá konkrétními lokacemi vzniku Nočních chodců a jejich časovými souvislostmi. Hudečka vnějškově ovlivnilo specifické prostředí okupované periferie...
The essay questions the position of artist run initiatives in the countries of the former Soviet Bloc, particularly in Czechoslovakia and the Czech Republic, during the communist regime and compares them to similar institutions working today. The general thesis is that the self-organised activities of artists under a totalitarian state or in the times of economical crisis lead to similar strategies...
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