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The authort argues in his essay that 'Salto' heralds the most mature stage of Konwicki's creative activity in which the correspondence of the components of his various works is based on the principle of complementing or self-interpretation and not - as in the case of 'Salto' - on the principle of polemical dialogue. The writer-turned-director's third film is a self-polemical dialogue towards 'A Dreambook...
The conciliatory message of Tadeusz Konwicki is first of all directed to the nations of Lithuania, Belarus, Russia and Poland; it was founded on the category of common identity. This article contains analyses of four films: Konwicki's 'How Far, How Near', 'The Valley of the Issa', 'Lava' and 'A Chronicle of Amorous Incidents', directed by Andrzej Wajda (adaptation of Konwicki's novel). The author...
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