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This article discusses the film Nattvardsgästerna (1963) – released in the U.S. as Winter Light, and in the U.K. as The Communicants – in the context of the Swedish post-war religious scene and Ingmar Bergman's other productions of the period. The film is read theologically with an assumption that the author carries on a certain religious dialogue, whatever its form may be. With the basis of the film...