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The relationship between photography and sculpture, unlike the dialogue between the latter and painting, was long treated as a peripheral issue. Yet as early as the mid-20th century photography began to show potential that sculpture seemed to be lack. Aware of a large degree of overlap between the two forms of artistic expression, (e.g. with respect to materiality, spatiality, or accentuating frozen...
The article deals with the parallels in Latvian and Western contemporary art. There is no specific reference point in time as the range of material is too broad. Therefore the conceptual origins in Latvia, observable from the late 1960s while Latvia was still under the Soviet system - Hyperrealism, Pop art, performances etc. - that can be considered as contemporary art, in this article are only mentioned...
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