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Niniejszy artykuł stanowi próbę krytycznego zmierzenia komplementarności fenomenologii (nie tylko w ujęciu lévinasowskim) i możliwości jej wykorzystania podczas odkrywania i badania wyjątkowych dzieł, którymi współczesną kulturę obdarza Marta Tomczyk. Artystka, dokonując szczerej autowiwisekcji w jednym ze swoich cyklów obrazów, zaprasza odbiorcę do spotkania z Innym. Należy jednak zadać pytanie:...
The author discusses philosophical context of arts on the example of natural sign and painting, underlying the fact that today, when aesthetics is a well grounded philosophical discipline, one tends to forget that before this discipline emerged in an explicit way, intersections between visual arts and philosophy had been rare.
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