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The first part of this paper tries to examine how and why Honza Krejcarová happened to turn into a mythic figure of Czech underground. The second part discusses the question, why the real person and authoress is ignored by this very myth and — even more — is not met with reception in literary history.
Even though the anthology Jewish Names, often called the beginning of Czech alternative culture, was published in 1995, several central questions concerning this seminal collection from the early 1950s remain unclear: Who initiated it, when was it assembled, and what is its connection with the causa of the ‘Trotzkyites’ in Prague and later anti-semitic show trials? Answers can be found if one appreciates...
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