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In her latest poetry and prose, Polina Barskova addresses the subject of her critical writings, namely, the cultural-political dimensions of the siege of Leningrad. In all these writings, she pursues a critique of Soviet and post-Soviet mythologies surrounding this historical event. In her prose piece ‘Proshchatel’’ (‘The Forgiver’), from Zhivye kartiny (Tableaux vivants), Barskova employs autobiography...
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