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This article engages with socio‐spatial theory on the “trialectic” between the physical, social, and spatial to examine the roles and uses of flagship vis‐à‐vis community art as experienced by both producers and publics. It presents a comparative case study on the Hieronymus Bosch Statue, a flagship artwork, and The Four Seasons, a community artwork, in the Dutch mid‐sized city of Den Bosch. This...
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