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This paper reflects upon staging Hamlet in Slovakia from 1950 to 2004. The five selected productions brought seemingly different designs of the theatrical space. And yet in four of them, there were many similarities in terms of mimetic understanding of the space. There was only one, nearly unnoticed production in the Rusyn language (2004) building a completely different space: based upon sophisticated...
Vlastislav Hofman's Hamlet at the National Theatre in 1926 and František Tröster's Hamlet at the Vinohrady Theatre in 1941 are undeniably different interpretations of one of Shakespeare's superlative plays. They are notable as works that illustrate a slight change in aesthetic for the designers, with Hofman moving away from his roots in Czech Cubism and Tröster showing his mastery of staging while...
Employing a comparative method, the present study explores the Renaissance expression of Jozef Ciller’s Shakespearean scenographies. Based on an analysis of preserved archival material (scenographic proposals, photographs from productions, video recordings, reviews, etc.) and personal communication with Jozef Ciller, the author examines how he transposed general features of European Renaissance (visual...
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