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Piero della Francesca’s Flagellation is perhaps the most mysterious painting of the Renaissance. From the fifteenth century to now, it has been understood in different ways and raised endless interpretations. Although remaining a masterpiece of art, it has become a hermeneutic object at the crossroads of Religion, History, Philosophy and Poetry. Thus, this ancient painting is paradoxically still an...
La caricature, dans sa représentation la plus élémentaire, dans sa polysémie ou ses multiples extensions, fait référence à la charge, au « faix du fagot » amenant l’homme à gémir, à ployer et à marcher courbé « à pas pesants ». Les écrivains, tels des humoristes ou des peintres de la vie moderne, s’emploient à combiner les normes de la représentation et à distordre les mots pour souligner l’animalité...
This paper presents three attempts of grasping the relations between faith and reason made by M. Heller, J. Tischner and K. Tarnowski. Reason and faith are two foundations for human desire to understand the world. Without them, no attempts to understand can take place. As Heller points out, both of them, due to cooperation, support development and help to eliminate dangerous simplifications. Faith,...
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