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In 1597 John Dowland made his self‐authorised print debut with The First Booke of Songes or Ayres. Many of the songs in the collection were, as Dowland indicates, ‘ripe inough by their age’, having ‘already grac't’ the two universities. The songs, and their poetic texts independent of musical setting, had had various pre‐print histories and would have invited specific contextually situated interpretations...
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