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In 1593, Simon Lyra (1547-1601) was appointed cantor of the St. Elisabeth Church and Gymnasium in Breslau/Wrocław. In the same year, he drew up a list of prints and manuscripts that he considered appropriate for teaching and for use in Lutheran worship. In addition to this list, there are six music manuscripts dating from the 1580s and 1590s that either belonged to him or were collected under his...
In the article, the author investigates 24 musical manuscripts belonging to former Miners’ Orchestra of Wałbrzych (Waldenburger Bergkapelle), which used the sources for concerts of the orchestra. The analysed manuscripts have not yet been researched or catalogued in RISM (Répertoire International des Sources Musicales) database before. The ensemble’s repertoire was analysed and the collection’s characteristics,...
The article deals with chosen aspects of the transformation of European musical culture caused by the invention of printing. On the one hand, the first printers followed the patterns of the manuscripts, but, on the other hand, they must have considered the technological and economic conditions in which musical printing was developing. This led in the XVIth century to the emergence of new forms of...
The Wroclaw Codex (WarU 5892) belongs to a family of Central European mensural codices originating from the end of the 15th century and demonstrating a rich musical culture in the regions of Saxony, Silesia and Bohemia (musical manuscripts BerlS 40021, LeipU 1494, WarU 5892, HradKM 7). The present study focuses on transmission of imported polyphonic repertory within this area, and especially on the...
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