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During the archaeological fieldwork undertaken in the Henket-Ankh, the Temple of Millions of Years of Thutmose III situated between el-Assasif and el-Khokha, a large amount of sandstone blocks and fragments have been discovered. Although they are quite fragmented, they enable us to posit a hypothesis about some of the scenes that were originally carved on the temple’s walls. This paper focuses mainly...
During the archaeological fieldwork undertaken in the Henket-Ankh, the Temple of Millions of Years of Thutmose III situated between el-Assasif and el-Khokha, a large amount of sandstone blocks and fragments have been discovered. Although they are quite fragmented, they enable us to posit a hypothesis about some of the scenes that were originally carved on the temple’s walls. This paper focuses mainly...
This article is dedicated to the study and comparison of the inscriptions and iconography of the red granite colossal statue in the British Museum, inv. no. AES 61. The idea behind this paper was to demonstrate how the rigorous application of iconographical analysis of facial features can contribute to the precise dating of the classical pharaonic sculptures. This procedure when applied to the above-mentioned...
It is well known that during the post-Amarna period, depictions and texts vandalized in the course of the religious revolution of Akhenaten were restored. On the whole, they were reworked without changes. However, in the case of some elements of the wall decoration, the repaired image differed somewhat from the original one. This is the case of liturgical utensils represented in the offering table...
The red granite fragmentary bust (Egyptian Museum in Cairo – CG 38104, JE 27856), coming from the Temple of Ptah in Memphis, is believed to be part of a statue of Ramesses II. However, owing to the fact that the fragment is unepigraphic and much eroded, this identification has to remain a hypothetical one. A detailed examination of iconographical and stylistic features of the statue leads the author...
The temple of Hatshepsut at Deir el-Bahari, although a unique and innovative monument, is firmly settled in the earlier tradition. Its architecture, relief decoration, statuary program and texts, bear direct or indirect references to the past. The Old and Middle Kingdom ideas, patterns and motifs may be traced on various levels, in the overall structure as well as in details. Sometimes the direct...
During documentation of the offering scenes decorating the Chapel of Hatshepsut (the so-called Southern Hall of Offerings) in the mortuary temple of the queen at Deir el-Bahari, on some vessels represented among piled offerings on the upper part of its north wall, deep gouges typical for the iconoclasm of the Amarna period have been observed. Closer examination revealed similar traces of deliberate...
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