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On 16 October 2009, a friend died. He was the first person I knew of my generation to die. That night, I saw a play in the Melbourne International Arts Festival (MIAF), one which dealt with the messy realities of sudden death. Almost a year to the day later, I saw another MIAF production about the dangers of holding onto ghosts. They were chaotic, transcendent, heart‐stopping experiences. In this...
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