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La spettatrice aristocratica di corte o di accademia, agli inizi dell’età moderna, nobilita con la sua presenza il nuovo teatro classicistico, ed è spesso destinataria privilegiata di omaggi drammaturgici e di saggi di poetica; essa è tuttavia molto diversa dalle spettatrici reali che cominciano a frequentare i teatri pubblici a pagamento nell’Europa del XVI e XVII secolo. Le donne a teatro, sulle...
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