The Infona portal uses cookies, i.e. strings of text saved by a browser on the user's device. The portal can access those files and use them to remember the user's data, such as their chosen settings (screen view, interface language, etc.), or their login data. By using the Infona portal the user accepts automatic saving and using this information for portal operation purposes. More information on the subject can be found in the Privacy Policy and Terms of Service. By closing this window the user confirms that they have read the information on cookie usage, and they accept the privacy policy and the way cookies are used by the portal. You can change the cookie settings in your browser.
We produced an exhibition “Digital Public Art in HANEDA AIRPORT `AIR HARBOR' - Technology Meets Air: A Sensation of a New World” in October, 2009 at the Haneda Airport which is public space and is the biggest airport in Japan. This exhibition aims to show the new concept “Digital Public Art” which tries to evolve media art to public art. This exhibition is also an experiment to bring information technology...
This paper discusses the potential of introducing three new media technologies into art galleries in remote Australian communities to improve economic opportunities and quality of life in these communities. An introduction is given, followed by a review of the literature in related fields. We describe the three new media technologies and present the research questions. Early findings from pilot-tests...
Computer technology development and internet generalization yielded commercial game invigoration. Recently, interface of internet FPS games became realized similar to reality to attract users toward a higher level of immersion. This paper discusses aesthetic contemplation of the interface of rapidly developed FPS games and the users' behavior in the virtual space thereof. Game and art do not seem...
“Noise Cancellation: disrupting audio perception” is an interactive sound and visual art installation that explores the creation of new technology - open-air active signal cancellation - and how it can be incorporated into interactive art installations. As an ongoing collaborative project between artist and engineer, Noise Cancellation engages signal processing research issues in a creative application...
This paper discussed such possibility that viewed sense to aesthetic feeling experiences of virtual space as subjects in aesthetics, through describing some aesthetic phenomena and experiences in the present virtual field, then to put forward to some imagines on developing the visual field of nowaday aesthetics. And it expected to make a research by comparing between traditional time-space and digital...
We live in an era of media and information explosion. Information is transmitted in various, constantly revolutionized forms. Movies, television and other new animated media have penetrated into all aspects of our life and become part of it. From those media we acquire knowledge, ways of communication and pleasure. The deep-seated difference between the new media and the traditional static media is...
In recent decades, rapid progress in technology and changes in media environment have made it possible to convey works of art to the masses, even if it is hard to preserve the meaning of an original work of artpsilas conception. Such problems have occurred particularly with respect to several Asian nations whose works of art have a long history,since they cause concern among lovers of such artworks...
The paper introduces several explorations in new media art by Slovene artist Sreco Dragan. The main aspects of his work are the institutions of techno-modified gaze and techno-performance. He explored the institution of techno-modified gaze in the 1990s, when several modes of mixed reality were tested by means of invented conceptual platforms for entering virtual reality and connecting it back to...
Set the date range to filter the displayed results. You can set a starting date, ending date or both. You can enter the dates manually or choose them from the calendar.