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Cet article explore une perspective phénoménologique dans l’œuvre de Malika Mokeddem. Une telle approche s’écarte de la critique habituelle sur l’écrivaine algérienne et propose une alternative aux analyses postcoloniales. Les thèmes du nomadisme culturel, de la langue d’origine et de l’expression corporelle sont investis à travers le prisme d’une « chair » merleau-pontienne avec les notions de «...