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The contemporary man, wanting to define his place in time, needs bonds and continuity, he needs remembrance and knowledge about the legacy of the past. The strength of creative consciousness, thanks to which the man can lean towards the future without any fear, comes from tradition. Tradition is a dynamic phenomenon, it is not inherited as something complete, already worked out. In order to “have”...
Hendrykowski Marek, Reality as a feeling – a feeling as reality. On the film by Joseph Cedar, Footnote. “Images” vol. XXV, no. 34. Poznań 2019. Adam Mickiewicz University Press. Pp. 57–xx. ISSN 1731-450X. DOI 10.14746/i.2019.34.04. This analytical study by Marek Hendrykowski is an attempt to re-read one of the most valuable contemporary films of Israeli production, Footnote, written and directed by...
The Post-sephardic Belgrade Narrative: The Case of David AlbahariThe paper attempts to establish a literary and historical continuity between the literary works of David Albahari and the pre-WWII Sephardic cultural context of Belgrade. The war and the Holocaust interrupted the natural development of this culture. The interruption in development caused by the Holocaust did not result in an effort to...
This paper considers the ways in which contemporary painting of still life accepts the address of its tradition. Tradition is considered here as cultural memory reiterated and transformed over time. The means by which contemporary artists work with, and against, tradition are explored through ideas of reverie, play and material process. Melancholy is a characteristic of the genre of still life, one...
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