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The two most noteworthy operas of non-Italian verism, d'Albert's 'The Lowlands' and Charpentier's 'Louise', are connected with the portrayal of two different types of morality. In case of the German opera, the virtuous mountains stand in contrast with the decadent lowland, while in the second opera, the Paris metropolis epitomises moral falls and the morality of a proletarian-petty bourgeois family...
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