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In 1947 Friedrich Smend has developed the theory about numerological symbolism in Bach’s music. In similar way to the cabalistic gematria, he discovered, the coinherence of symbolic name “Bach” as the number 14, and “J.S.Bach” as 41. He claimed that it is possible to find that Bach has used that symbolism in his compositions. The exaple of this operation is possible to find in the first part of ClavierÜbung:...
This paper presents the analysis of the design and construction of the traditional houses in northern Greece and the correlation with the use of the metric system of the architect’s cubit and the existence of architectural tracing and proportions. Of particular significance is the detection of certain metric models widely applied in the urban centres of northern Greece during the nineteenth century,...
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