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Two recent carved Maori meeting houses, one in a museum and the other on a polytech campus, manage to break down the boundaries between “contemporary” and “traditional” Maori art. Both houses also attempt to represent the whole of the institutions of which they are a part rather than only the Maori members of those institutions. This article argues that these innovations are connected, and that they...
This article introduces paintings by Pintupi/Luritja‐Arrernte town camp artist Kunmanara M. Nampitjinpa Boko from the Tangentyere Artists group in Alice Springs and discusses a project we began together before her death, to explore new media futures for her graphic desert narratives. I argue that Kunmanara’s figurative and entextualized images articulate a specific central Australian mode of “survivance”...
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