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Despite the fact that the consequences of emotional actions are a central theme in British nineteenth‐century sensation fiction, studies of the genre have generally focused on thrilling and socially disruptive elements of the genre. Attention to descriptions of transgressive behaviour and in particular women’s violations of patriarchal norms has enabled interpretations that endow the genre with a...
In the 1930s and 1940s Chen Yinque offered an account of a transitional phase which he called “geyi” or “matching meanings”: Buddhist preachers would have used phrases and concepts familiar to practitioners of Daoism to transmit their new doctrines. This account has persuaded many scholars in East Asia and the European‐influenced world, to the point of being included in most manuals and histories...
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