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In the 1930s and 1940s Chen Yinque offered an account of a transitional phase which he called “geyi” or “matching meanings”: Buddhist preachers would have used phrases and concepts familiar to practitioners of Daoism to transmit their new doctrines. This account has persuaded many scholars in East Asia and the European‐influenced world, to the point of being included in most manuals and histories...
Wu Hsing‐kuo and his Contemporary Legend Theater adapted Kafka’s seminal novella The Metamorphosis into an intercultural play named Metamorphosis in 2013. In light of the connections between Hans‐Thies Lehmann’s theory of postdramatic theater and new interculturalism in theater, where both emphasize rhizomatic structures to break down imperialist transcultural synthesis, this article explores an experimental...
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