In this essay, I analyze my border performances of becoming and being as an embodied text to explicate, elucidate, and elaborate culturally hybrid practices of intercultural transition. I pay close attention to unpack the material realities of my hybridity as I continue to live within and beyond queer (or non-heteronormative) Japan–US transnational borderland. In so doing, I aim to illustrate (dis)connections between my identity negotiation processes and the multiple significances of queer Asian/American male identity construction to disrupt the heteronormative modes of thinking about intercultural transitions.