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The article shows that Alfred Döblin’s city- and montage-novel Berlin Alexanderplatz (1929) can be read also as a steganogram implying an encipherment to the discourse of the Treaty of Versailles after the First World War. Earlier research has documented how other works by Döblin published between the 1920s and 1950s address the connection between violence, war, and individual and collective responsibility...
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