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The aim of this article is to study the underpinnings of the matrixial theory introduced by Bracha L. Ettinger, and her installation in the Freud Museum – to be more precise, Freud’sstudy room – so as to examine their paradoxical status in Freudian‑Lacanian space(s). As I attempt to show, both parts of Ettinger’s activity are not against the Law of the Father, but rather they constantly dis‑obey his...
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