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Socialism produces distinct forms of humorous ridicule that are relatively rare in capitalist, bourgeois democracies. These forms are arranged in a hierarchy that reflects the distribution of power in this type of social and political order, one which differs markedly from a bourgeois democracy or indeed even a traditional or dictatorial authoritarian society. Merely authoritarian societies lack the...
The primary focus of this paper is to apply Discourse Type theory to stand-up comedy. To achieve this, the study postulates two contexts in stand-up joking stories: context of the joke and context in the joke. The context of the joke, which is inflexible, embodies the collective beliefs of stand-up comedians and their audience, while the context in the joke, which is dynamic, is manifested by joking...
Individuals differ in their appreciation of jokes and cartoons with respect to the structure of the humorous material (e.g., whether the jokes and cartoons are can be categorised in terms of incongruity-resolution or in terms of nonsense), as well as content (e.g., whether they contain sexual themes or not). While the 3WD (3 jokes dimensions) test allows for the measurement of such differences in...
There has long been a close link between both the comedy and, by implication, the sense of humour of British and Australians. Such distinctively British radio and television programs as Hancock's Half Hour and Till Death Do Us Part found their main overseas market in Australia rather than in other English-speaking countries. Americans either did not find them funny or else were not allowed to find...
Derrida saw laughter as a version of aporia; and he linked aporia to an undecidability that he ties to fiction. I argue that such undecidability contributes to some jokes. Sometimes this undecidability enables the joke to combine plausibility and delightfulness. More interesting and more aporetic is the way that undecidability contributes to jokes that foreground their textual status (some meta-jokes...
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