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The main theme of the text is the wartime and postwar history of the area of the German Nazi extermination camp Treblinka II, seen from the perspective of the production of landscape – with a special focus on the identity aspect, i.e. the nationalization of nature and the naturalization of the nation. The argument refers to imaging conventions of nature and ethnographic photography, like the German...
This richly illustrated text is a descriptive introduction to Dominika Macocha’s video-sculptural installation, detailing the idea behind the work, the process of its creation, and its suggested interpretations. The file is concluded with a link to the film The Mystery of Forest Lakelet.
This letter is a response by Dominika Macocha to the discussion between Elżbieta Janicka, Konrad Matyjaszek, Xawery Stańczyk, Katrin Stoll and Anna Zawadzka about her video-sculptural installation work “50°31’29.7”N 22°46’39.1”E, 50°30’56.2”N 22°46’01.0”E, 50°30’41.0”N 22°45’49.5”E” published in Studia Litteraria et Historica 9 (2020). The discussion has enabled the artist to look at her work from...
To jest poprawiona wersja wycofanego artykułu o takim samym tytule, który był opublikowany z numerem DOI: https://doi.org/10.11649/slh.2817. W niniejszym artykule ukazuję, że w socjologii Zygmunta Baumana dystopii przypisana jest również ambiwalentnie „aktywna” funkcja. W pismach Baumana ślady „dystopii w działaniu” pojawiają się jako przeciwobraz „utopii w działaniu” socjalizmu, służący „naświetleniu...
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