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Phantasm of the Righteous and Agnieszka Holland’s film "In Darkness"The text analyses Agnieszka Holland’s film In Darkness against the background of the Polish discourse on the Righteous. The devices of this discourse are reconstructed on the basis of two documentary films: The Righteous by Ryszard Gontarz and Janusz Kidawa (1968) and The Story of the Kowalski by Arkadiusz Gołębiowski and...
"Aftermath", after-Gross and the fans of PolishnessAftermath was released in the late 2012. Its director, Władysław Pasikowski, had previously been famous for his violent action films with strong male protagonists. He has also written some of the most sexist dialogues in the history of Polish cinema, as well as a number of lines, often obscene, which have become catchphrases and slogans...
The article focuses on the material culture of the German Democratic Republic (GDR) as portrayed in selected German films made after 1990 and set in the GDR. The objects that are used in the films serve as a special kind of artefacts, symbolizing the reality of the GDR and defining it as imperfect, below expectations, and inefficient in meeting consumer demand. An important point of reference in the...
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