This paper presents readers with one (research) story about (sexed and gendered) bodies not as objects with inherent boundaries and properties but as material-discursive phenomena. In telling such a story I examine the role that the screendance, Becoming Bodies, has played in knowledge production and argue for a less ontologically ‘old fashioned’ view of what counts as ‘evidence’. Throughout the paper I draw from a range of feminisms: biological, phenomenological, poststructural, psychoanalytical, and post humanist and performative scholarship of sex and gender. These discourses contest nature/nurture, male/female, body/mind dualisms, and take the political and ethical view that bodies are not neutral; that sex and gender, being a woman or a man are both socially and biologically constructed forms of identity (similar to class and race) that are acquired and learned through socio-cultural regimes of discipline and intersubjective bodily practices. Building on this dynamic and developmental bio-psycho-social view I discuss selected aspects of interview data: (1) the material-discursive tensions and contradictions of sexing and gendering bodies and (2) troubling the intersubjective implications of this for clinical practices.