In this essay, I draw from approaches in voice, music, theater, and film studies to examine four elements of sound: vocal delivery, music, special effects, and silence. Within this four-part schema, I discuss a variety of frameworks that I hope may serve as resources for those seeking to engage in both the analysis and production of sound in multimodal webtexts. Throughout the essay, I analyze several poetic Flash texts, and I consider the relationship of part-to-whole and whole-to-part when seeking to analyze and compose with multiple modes.