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The article reflects upon the character of the complex relations of the discourses of modernity with the central thread of 'The Doll', i.e. Stanislaw Wokulski's affection for Izabella Lecka. The author of the paper shows the ostensible inconsistencies and concealments of the work written in 1890 which refer, above all, to sexual issues: the wealthy merchant's Parisian 'debauchery', and his attitude...
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