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Tadeusz Konwicki produced his prose in an incessant dialogue with censorship. He wanted to imply an independent vision of guerillas' struggles in Vilnius forests, Stalinism and grey, depressing reality of the Polish People's Republic. Konwicki's language is rich in traps set for the workers of Main Office for the Control of Press, Publication and Spectacles. A precise narration, in which every detail...
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