In the paper I present one of the most interesting, in my opinion, poems written in the sixteenth century, praising the Łodzia coat of arms of Łukasz III Górka and placed in the Bohemian hymnal - Piesně Chwal Božských [...], printed in 1561 in Aleksander Augezdecki’s printing house in Szamotuły. Two copies of this splendid work have been preserved in Polish collections: one – complete and well-preserved, in the library of the Czartoryski's family in Kraków, and the other one, with defects, is owned by the University Library in Warsaw. The activity of Aleksander Augezdecki, of the Czech origin – a printer in Królewiec and Szamotuły has interested researchers for a long time. The preserved results of his printing activities in the printing houses in Królewiec numbers 15 pieces, including 13 issued in Polish and 2 in German, while from the printing house in Szamotuły 8 titles have been preserved – 3 in Polish, 3 in Latin and 2 in Czech. In January 1561 in the castle owned by Łukasz III Górka in Szamotuły, Augezdecki started to print a great Bohemian hymnal, which was supposed to be a new edition of the Roh’s hymnal of 1541, meant for the Unity of the Brethern. For the Polish supporters of the Bohemian Brethren, not only was it supposed to fulfil utilitarian purposes but also to play a propaganda role. While the idea of printing the hymnal originated in the Unity, the final permission to print was given by Łukasz Górka. The Bohemian hymnal, with 735 hymns, significantly exceeded the previous similar issues in terms of language and the stylistics. It was illustrated with a number of woodcuts, including these presenting: Łukasz III Górka’s coat of arms, king David and a portrait of Hus. On the verso of the title page of the book a whole-page woodcut with Łukasz III Górka’s complex coat of arms was printed. Below the woodcut of the Łukasz III Górka’s coat of arms an embossed poem was in Czech, praising the coat of arms. Undoubtedly, it was to express the gratitude of Bohemian Brethren towards their protector in Wielkopolska for his benevolence, received benefits and his support in issuing the hymnal. Heraldic poetry, closely related to Polish printed books, was an important element of the sixteenth-century culture. A classic stemmata consisted of three parts: an inscription, graphic illustration of the coat of arms and subscription in a form of an epigram or a longer poem, commenting and praising it. The sixteenth-century stemmata usually had several to more than ten lines, and heraldic and genealogic motifs exposed there were laconic. Their creators were inspired especially by a coat of arms. Poems dedicated to the Łodzia coat of arms appear in over 20 Polish sixteenth-century prints, with the oldest dedicated to Piotr Tomicki, the vice-chancellor, a bishop of Kraków and Poznań, while later mainly to all members of the Górka and Opaliński’s houses.