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Ivo Andrić’s “Bosnian Chronicle” represents Travnik as a city on the frontier, the city in a fissure, “a half-open book” which through the novel turns into a symbol of mutual illegibility of the characters. Each one of them remains in a way shut into their own ideas of the other one standing against them, so it becomes clear that this novel writes out the discourse of difference. In this paper, we...
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