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The article addresses Czech puppet theatre dramaturgy in its historical development from the late eighteenth to the present. Apart from the historical overview, it also analyses recent trends in Czech puppet theatre – an aspect that has not yet been concisely addressed. It also points out opportunities that puppet theatre could explore in future productions.
The current paper is the first of the forthcoming studies dealing with the dramaturgy of and productions in Brno State Theatre in late 1950s and 1960s. The authors present the principal questions, study material, and methodology of their research, supported by a grant project, which has been launched only recently inquiring into the artwork of the generation of director Miloš Wasserbauer, and the...
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