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After 1989 Polish theatre went through a series of significant artistic and administrative changes. Those were reflected in a new theatrical repertoire. This article presents a few thoughts on interference and reception of contemporary French drama in Poland during last twenty years. The analysis is based on laws
The paper attempts to examine the English translation of Witold Gombrowicz’s Trans-Atlantyk made by Carolyn French and Nina Karsov [Gombrowicz, 1994] from the quasi-editorial perspective, therefore both the main text of the novel and the paratexts are subject to analysis. The focus is put on the strategy of presenting and translating these elements of the source text that are closely linked to Polish...
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