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Previously we described a short rongorongo sequence painted on bark-cloth from Easter Island (Schoch and Melka, 2019), the Rangitoki (Raŋitoki) fragment, named after the Rapanui woman who, according to the history passed down with the piece, presented it to a European male visitor in March 1869. Here we expand on our original analysis of some of the ambiguous glyphs found on the fragment. Further...
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