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The current article is based on a chapter from the author's book Russian Formalism: A Metapoetics (1984). It deals with the poetics of Roman Jakobson formulated during his stay in Prague from 1920 to 1938 and treats this subject from an epistemological perspective outlining three incompatible scholarly/artistic trends which informed it: Husserlian Phenomenology, Saussurian linguistics and Russian...
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