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The authoress argues that Vera Chytilova's 'Daisies' (1966) and Estera Krumbachova's 'The Murder of Engineer Devil' (1970) are the only films in the history of Czech cinema that can be considered as the example of the use of feminist aesthetics in its archaic and subversive form. The Czech New Wave (these films were made at its height) gave birth to politically conscious aesthetic experiments, and...
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