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In this three-part article its authors attempt to discuss one of the most exciting debuts in the Polish cinema of the recent years - 'Ode to Joy'. The first text, corresponding with the first part of the feature, examines the content of Anna Kazejak-Dawid's etude entitled 'Silesia' (Slask). One of the authors (G. Nadgrodkiewicz) makes a subjective evaluation of the degree to which the etude withstood...
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