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The article begins with a short biography of the important Czech philosopher, pedagogue and psychologist G. A. Lindner (1828–1887). Lindner’s work on the relation of aesthetics and the theory of theatre is then analysed. His views on aesthetics took their rise from the standpoint of J. F. Herbart, and, in agreement with him, Lindner prioritised aesthetics over ethics and rejected any kind of aesthetical...
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