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Described are the general composition principles of frescos by Giotto di Bondone (1267-1337) at the Scrovegni Chapel in Padua, and the novelty of narrative techniques applied therein. The 'Kiss of Judas' is analysed and compared against the Gospel-based 'give-up' scene as well as the categories of 'faithfulness' and 'trustfulness' as interpreted in the early Christianity. Another topic is the anthropological...
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