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The publication (prefaced with a necessary commentary) of three unnoticed so far and anonymous statements made by Stanisław Koźmian (born 1836) – a man who had greatly contributed to the valuable output of the Kraków theatre in 1865–1885 – about the second season (1894/95) of Tadeusz Pawlikowski’s (born 1861) management. Thanks to Pawlikowski, Kraków had the most important stage of the second half...
Cracow theatre played a special part in the Polish ritual of passage from subjugation to independence in 1918 and soon became an object of intense mythologizing itself. Its origins can be traced back to the premieres of Polish Romantic theatre staged in Cracow and the influence exerted by Stanisław Wyspiański who used the language of myths and the symbolism of remnants, being also a deconstructivist...
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